Psychological horror games wiki

KEL says he heard from his mom that he was moving away soon and that he wanted to hang out again before he moves. Depending on the choice made, the story will diverge. The subsequent dialogue reveals that SUNNY has stayed in his house for 4 years with no outside contact. SUNNY then enters the living room, refusing to go back inside the bathroom. SUNNY ignores the knocking and takes a nap. When he is done, he feels dizzy and collapses. When he wakes up Both routes converge back here the house is dark and full of spiders, with the staircase is elongated once again.

SUNNY then finds a steak knife in the kitchen. As he goes up the stairs, he visualizes spider legs surrounding him. A mysterious voice once again teaches him how to FOCUS , ending the fight, and returning the house to normal. His shadow opens its eyes. However, they are unable to exit due to a crowd near the entrance. After completing multiple tasks around the castle, the crowd clears out, and the group goes to the garden.

They eventually return to the auditorium after giving a password to a guard statue. Then, a key and a note that says "Don't forget, it's in the toybox. KEL knocks on the door and says that he was sent to pick up some food from the bakery and Gino's Pizza.

She also expresses anger that no one was there for her when MARI died. She also furiously says that BASIL is the worst, and that he shouldn't show his face to her after what he did. He hallucinates he is back in his house, except for the once again elongated staircase, and it is filled with water. MARI's spirit is standing on the stairs and leads him down. As he goes down, he imagines the shadow of kelp slowly descending on them. SUNNY wakes up and washes dishes.

He then goes to take a bath, falling asleep and hallucinating he is back in his house, except for the once again elongated staircase, and it is filled with water. It is also not possible to go east or west of the stump, as attempting to do so gives the message "There is nothing here.

She expresses happiness at his presence, and reveals his friends are missing may be across the water. OMORI then conquers his fear of drowning. The two swim across the water, passng a broken lighthouse, and several visions of the STRANGER along the way, all of which fade out upon being interacted with.

She then turns white, similar to the appearance of a spirit, and leaves the dream through a curtain. KEL mentions that MR. At his office, MR. Accepting their point, MR.

This angers MR. After defeating him, MR. PLUTO transforms himself into his ultimate form , and confronts the party. Defeating him will force MR. She then proclaims she is going to make her own suitor, and is meeting with a party who specializes in special demands, that only rich people like her can afford. OMORI jumps in by himself, landing in a large ocean. Behind each door is a room the rooms are in the same order regardless of the door selected , each of which has a key.

There are 18 doors total, but only 8 keys are required to progress. Beyond each door are disturbing thoughts and rooms, and some of the doors show facsimiles of BASIL getting killed in disturbing ways. After getting 8 keys, a red door becomes available, leading to a snowy mountain. OMORI then reaches a throne of hands, which he sits upon. Avoid common horror cliches. You should try to avoid falling into common cliches as you write, especially when you are writing horror.

Psychological horror is full of common cliches, or situations that have become so familiar they lose all meaning. A house that is alive, a woman on the verge of a nervous breakdown or a family with a deep, dark secret in the attic are all familiar story lines in horror that have been done before. You should try to avoid cliche scenarios and descriptions, striving instead for a story that feels specific and unique to your point of view.

Maybe you add a twist to a cliche story line, such as a family with a deep, dark secret that is revealed at the very beginning of the story, leaving the characters to deal with the aftermath in the present. Or perhaps you make your "woman on the verge of a nervous breakdown" specific to your experience of anxiety or a friend's experience of trauma so the story feels more specific and nuanced. Build up to an unsettling ending. Your horror story should include an ending that feels disturbing or slightly off.

You may include a twist in your ending or build up to an intense image that leaves the reader unsettled. Having a strong, disturbing ending can leave your reader perfectly creeped out, an ideal landing point for your horror story.

You can use a plot diagram or the snowflake method to create the plot outline. For example, you may have a main character who does not realize she had a psychic break until the very end of the story. The big, unsettling twist may be that your main character finally realizes that all of her visions were made up in her head. Part 3. Read your first draft out loud. Once you have a first draft, you should polish it so it becomes stronger.

Read your first draft out loud from beginning to end. Listen to how each sentence flows into one another. Notice if there are certain passages that are confusing or unclear. Pay attention to any moments in the story that feel disturbing to you. You may also highlight any sentences that seem to work for you, as you can then try to figure out how other areas can work just as well. Share your first draft with others. You should find one or two sympathetic readers to look over your first draft.

You may read the story out loud to them or give them a copy that they can then read on their own. You may then ask your readers for feedback on your story.

Getting your story critiqued by attentive readers can make it that much stronger. Revise your draft. Once you have received feedback on your story, you should take the time to revise it. You may work sentence by sentence or work on passages that need the most work first, followed by passages that need a medium or minimal amount of revising. Normally, horror stories will start one of two ways: either something bad happens to a minor character, and it somehow leads to the main character s being dragged into the ordeal; or the main character s are introduced first, and then small things start going wrong.

This usually continues until they decide to do something about it. I would pick one of those ideas for inspiration! Yes No. Each contract, the player is tasked with four objectives. Objective 1 will always be 'Discover what type of Ghost we are dealing with', which simply means to identify the ghost type. In the tutorial , this is the only objective. To do this, the player must perform an investigation, using their equipment to locate the ghost room and find different forms of evidence.

These evidences should be logged in the journal , which contains information about the different types of ghosts, as well as an automatic sorter based on the information inputted. Players may also make use of the traits of the various ghost types as stated in the journal to identify the ghost. To complete the remaining objectives, players may or may not make use of the equipment that they have brought or any objects found on-site.

Some objectives are dependent on ghost activity , and the player may increase this activity by saying certain key phrases or the ghost's name. The first game was primarily developed by Rockstar North , while the sequel was handled by different studios to a variety of platforms after development was moved from the defunct original developer Rockstar Vienna.

The title of the series comes from the police term "manhunt", referring to intensive pursue of a fugitive. Gameplay in both games is presented from a third-person perspective and contains elements of stealth and survival-horror, as the protagonist has to avoid hostile NPCs and execute them in violent ways with a variety of different weapons. While narratives greatly differ between the titles, the general plot revolves around violence and psychological horror.

The series is notable for its tie-ins with Rockstar Games' flagship series, Grand Theft Auto , especially with games within the 3D Universe continuity. The series is notorious for its violent nature, and has gained controversy among moral guardians for its elaborate executions and cruelty.